The Name of the Game...

... is collaboration.

All artists collaborate in one way or another, you must in order to succeed, and the most successful artists instinctively know how to work with others. More importantly they know their work will be better with the input from other people. Collaboration frees you up to do what you do best.

This brings me to guitarist, musician, artist David Broza who performed at Flashpoint Academy yesterday afternoon. Broza believes his gift is creating music not writing lyrics, so over the course of his 30-year career, he has actively sought out collaborators to write the words set to his music. He works with writers, poets, finds stories from current events he wants to sing about and has someone else write the lyrics for his songs. And I forgot to add he works in three languages- Hebrew, Spanish and English- and he is a self-taught guitar virtuoso.

A student asked him how he goes about finding these people to work with, and the short answer is that he picks up the phone, makes the call and asks. It's easier now for him of course because he is famous, but it is the same method he has used since the 1970s. This is an important lesson to all of you eager artists out there- ask for help, especially if you are passionate about your work- you will find that simpatico person.

In the meantime check out David Broza and add some of his music to your collection.

http://www.davidbroza.net

PeterH

My Cheatin' Heart

"I was thrown out of college for cheating on my metaphysics exam. I looked into the soul of the boy sitting next to me." Woody Allen

I heard an interesting piece on NPR earlier this week about how many young people take for granted that everything on the internet is free and they should never have to pay for it. However, those of us who create content do like getting compensated and at some point we will no longer tolerate the wholesale theft of our work. A few months ago I posted about how half of my students had DVD quality copies of the film American Gangster a week before the film opened in theaters. This, I think, is a good example of this assumption that if it is out there it is mine for the taking.

If you start from a place where all information is free, then where do you draw the line? Can you look into the soul (and test paper) of the student sitting next to you? Is it all right to knowingly cheat on a test just because that information is out there anyway?

Of course not.

I have two theories on students cheating. The first is what I wrote above- we are living in a society where it is so common to take things from others that getting an answer or two or three seems like nothing- everyone is doing it. My other theory is that students are cheating not for themselves but to please their parents and teachers. They are so insecure that leaving an answer blank or actually admitting they do not know something is much more painful than using someone else's work as their own.

I'll end with another quote from Woody Allen that I feel sums up my opinion of cheaters.
"His lack of education is more than compensated for by his keenly developed moral bankruptcy."

PeterH

Chris Burritt

On Monday my friend and former colleague at Columbia, Chris Burritt, died. Chris was a terrific lighting and camera teacher. His students loved him and I am writing this post because I know a lot of my former students, who were also his former students, read this page.

I am sorry to break the news to you this way.

Chris and I were the union reps for the Columbia College Film and Video Department and we spent a lot of time together. The spring and summer of 2005 we met twice a week as a new union contract was being negotiated. It is fair to say that there was not a single person more responsible for the benefits the current adjunct Columbia film faculty enjoy than Chris Burritt. He busted his butt to get us everything he could, then would stand in the background at faculty meetings as I got to explain to the faculty our hard fought benefits.

I know a lot of people think I was responsible, but don't kid yourself it was Chris. He knew the contract inside and out, I was just a front man. And that is just the way any good camera and lighting person would want it- to be in the shadows casting light on the things that are important to see.

You will be missed.

PeterH

The Strike Beard

There is an interesting piece in the Talk of the Town section of the current New Yorker about the beards being grown as a sign of support for the writer's guild strike. Perhaps the most famous of the beards belong to David Letterman and Conan O'Brien. Jay Leno's conspicuous chin is notable for the absence of a beard, and he is about to pay a fine to the WGA as a consequence of going back to work.

The New Yorker piece is interesting to me less for the connection to the strike and more about how beards are often the result of a transitions in men's lives. "Thus we get Al Gore after the election (whiskers of grievance and release), and Ted Kaczynski in his cabin (isolation and madness), and Johnny Damon with the Red Sox (superstition)-all iconic beards in their proper context."

To that list you can add me (lazy, cold), but not so iconic. Just coincidently, but perhaps not, I stopped shaving just before the new year. We'll see how it goes. I have had a beard a few times before, just as they said in the New Yorker during times of transition. For me it was right after 9-11. I was on vacation during the event and was not shaving and just kept going for awhile until I needed to get on a plane and looked a little too Atta-esque. The last time was a couple of years ago when I had a little brush with my own mortality and had a beard for about six months.

I hope the strike ends soon.

PeterH

The Experimental Witch

The author Paulo Coelho is doing something interesting with his latest novel, The Witch of Portobello. Instead of selling the film rights to Hollywood he is inviting his readers and filmmakers to participate in making the movie. The plan is as simple as it is cutting edge. It takes advantage of all things internet and I am sure it is a great piece of publicity for the book and author.

Here are the broad strokes.

1) You select a character and chapter you want to make a short film about. The synopsis from Publishers Weekly (via Amazon) is below.

2) You register on his website. The first 200 valid filmmakers get chosen to submit a short film. http://paulocoelhoblog.com/experimental-witch/

3) You post the film to You Tube and the winning chapters will be selected. Each winning filmmaker gets a 3,ooo Euro prize.

I think it's a great idea and will sign up just to be part of it. If I get selected all the better. But mostly I think it is a great way to for an artist to share his work with others. I hope many (i.e. student readers) filmmakers register.

PeterH

From Publishers Weekly
Multimillion-seller Coelho (The Devil and Miss Prym, etc.) returns with another uncanny fusion of philosophy, religious miracle and moral parable. The Portobello of the title is London's Portobello Road, where Sherine Khalil, aka Athena, finds the worship meeting she's leading—where she becomes an omniscient goddess named Hagia Sophia—disrupted by a Protestant protest. Framed as a set of interviews conducted with those who knew Athena, who is dead as the book opens, the story recounts her birth in Transylvania to a Gypsy mother, her adoption by wealthy Lebanese Christians; her short, early marriage to a man she meets at a London college (one of the interviewees); her son Viorel's birth; and her stint selling real estate in Dubai. Back in London in the book's second half, Athena learns to harness the powers that have been present but inchoate within her, and the story picks up as she acquires a "teacher" (Deidre O'Neill, aka Edda, another interviewee), then disciples (also interviewed), and speeds toward a spectacular end. Coelho veers between his signature criticism of modern life and the hydra-headed alternative that Athena taps into. Athena's earliest years don't end up having much plot, but the second half's intrigue sustains the book. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Some Thoughts About Chevy Chase

A few weeks ago Chevy Chase came to Flashpoint to talk to our students and I didn't have the time to blog about his appearance, but he has been on my mind so better late than never.

I want to begin by saying that until meeting him, I didn't really think anything about Chevy Chase. I liked him on SNL 30+ years ago and a few of his movie appearances, but that was about it. However, after meeting him and seeing him talk I have become a fan. The following are some of my highlights of his hour speaking to students. First off he was very funny almost the entire time. It is clear he just is funny.

1) Collaboration. Almost the first thing out of his mouth. He talked about how important it is in the arts to work and collaborate with others. As faculty we preach that all the time, but somehow I think coming from a star it will have more impact.

2) The importance of writing. He credits his success to being a writer first and a performer second. Again, as faculty we talk about developing students' writing skills. This, too, I hope will sink in.

3) He is really smart. It is clear he is well read and can draw from a wealth of knowledge.

4) His comedic influences. His father, a noted political and social commentator. Chevy told a very funny story about how a few years ago his father cracked up Mike Wallace and others at the US Open tennis matches by referring to the ball boys as an 11 letter epithet that begins with C that years ago got Lenny Bruce arrested. The point being that anarchy and surprise are a big part of his comedic background. He also cited Groucho and Ernie Kovacs (Chevy and I have something in common afterall) as major influences on his career.

5) Schools. He admitted as a young person he had issues and was sent to "nurturing" schools. He wished he had a place- like Flashpoint- that would have allowed him to be himself.

6) In the middle of his talk, sort of out of nowhere, he launched into "Live from New York it's Saturday Night!" When he did I got goose bumps and it surprised me. I had that "Wow, it's really him," moment.

I hope our students got as much out of him as I did. Last week I flipped on the TV and there he was in Christmas Vacation. Not a great film, but I watched for awhile out of my new found respect for Chevy Chase.

PeterH

Helvetica

During the late summer just before my friend Dan Devening, an artist, gallery owner and college professor, went to Austria on a fellowship (show-off) he told me about a film he just saw called Helvetica. It's a documentary about the typeface by that name and the revolution it has caused and the reaction to that revolution. Who would have thunk that a documentary about a font could be so interesting, but it was.

A lot of filmmaking is about paying attention to details. In fact almost all good art in some way pays attention to the little things. And perhaps there is no group of artists more into the details than graphic designers. Throughout Helvetica one watches half-crazed designers discuss the greatness of the font, while another group of designers talks about how Helvetica is a curse. One camp thinks fonts should be neutral while the other group says fonts should add something to the text. As a side note my favorite font- until seeing this film- has always been "default."

In addition to the joys of watching passionate artists in a great debate, and learning a lot about how typefaces are created and used, Helvetica is also visually very stunning and has quite a lot of humor in it. (Though it helps if you think it is funny that all the graphics in the film and in the subtitled part of the DVD are also set in Helvetica.) The director, Gary Hustwit, and his crew take great pains to frame all of the interviews and visuals -there is a lot of signage in the film- with great care.

To me Helvetica is an example of just how great the documentary form can be. Here is a film about something few of us care about and all take for granted(at one point Helvetica font is compared to air) yet our attention is riveted. I suggest you check it out.

PeterH