Monday, October 22, 2007

TW3

That Was The Week That Was was first broadcast in Britain in the early 196os and gave David Frost his first wide television exposure. A short time later an American version appeared giving TV audiences their first real glimpses of performers like Mike Nichols and Elaine May, Woody Allen, Alan Alda and Buck Henry. Both shows were satirical looks at the week's news, a precursor if you will to The Daily Show. I bring this up because last week at Flashpoint was both very typical and oh so atypical. Let me explain.

On Saturday the 13th the actor Jeffrey Wright and rapper/actor Mos Def came to school as part of The Chicago International Film Festival. Sometime around 10pm there was Mos Def pounding on the drums in one of our recording studios.

Tuesday, representatives from Morocco and the Chicago Sister Cities program came to school to explore cultural exchange opportunities. And that evening about 1/3 of our students went to a screening of The Darjeeling Limited where writer and director Wes Anderson and co-writer and star Jason Schwartzman answered our questions.

On Friday Mesh Flinders, creator of the Internet phenomenon Lonely Girl 15, was on campus speaking with students and high school counselors and administrators. Friday afternoon the first ever Flashpoint Academy Machinima Challenge took place. We divided students into eight groups and using the Team Fortress 2 game engine, created eight short films in the span of five hours. At 5pm we had a screening and later this week those films will be posted on the web.

All of this happened under the lens of Channel 11 (the local PBS affiliate) who came to do a piece on us for their program Chicago Tonight.

On Saturday Flashpoint had an open house and 180 perspective students and their parents attended looking to enroll in January or next fall.

On Sunday (some of us) rested.

That Was The Week That Was.

PeterH

Monday, October 15, 2007

The Environment

Al Gore, than man who should be president, owns the Best Feature Length Documentary Oscar for producing and appearing in An Inconvenient Truth, and last Friday he was named a winner of the Nobel Peace Prize for his work on the environment.

I didn't really care for An Inconvenient Truth. While the message is an important one, as a film I feel it fell short- to much of Al on the phone or working on his Mac. I would have preferred to see his presentation in person rather than the film. Of course I believe what he was saying so he was preaching to the converted.

I do think often about all the petroleum products used in film manufacturing and production and all the chemicals that process and develop film. Where does it go? Out of sight out of mind? For environmental reasons I am glad we are moving towards a filmless/tapeless work flow, but I can also imagine a pile of batteries and computer chips and flash drives at the bottom of a land fill. I am one of the few people who are happy that I have to turn in my iphone to get a new battery. Apple is doing the green thing, I think, but of course I drive a hybrid and eat granola- actually as I type these words- so I naturally lean that way.

This summer one could travel the Northwest Passage by boat for the first time in years. Polar Bears are dying because their environment is melting away. Polar ice caps are shrinking at an alarming rate. I am happy for Al Gore, but I really hope the planet heeds his warnings before it is too late.

PeterH

Friday, October 12, 2007

Internships

When I was in high school I was given the chance to be an intern (a nice word for free labor) on the production of a United Cerebral Palsy Telethon. The broadcast was produced by Allen Hall, the producer for 25 years of Bozo's Circus on WGN-TV. I only got the job because my dad met Al Hall at a cocktail party and quick to get his kid out of the house Dad volunteered me. (At this same cocktail party my dad had his picture taken with Cesar Romero and it made all the papers. I still have no idea what Dad and The Joker were doing together, but there they are forever together in print.)

I went to the studio that evening not really knowing what to expect. I had no skills or experience. I didn't know anyone, BUT I was smart enough to keep my eyes open and see what I could do. For the most part I ushered clowns- Bozo, Cookie, Whizzo- back and forth between the green room and the set and took messages and food between the control room and Al at the front of the stage.

As happens in 24-hour telethons there is a lot of downtime and that is when this internship really paid off. I was just starting to think about colleges and asked Al where he thought a young guy like me should go- Syracuse, Northwestern and Boston University, I still remember his answer. I also spent a lot of time with Jose (Joe) Cornejo who was the associate producer and was a regular member of WGN's Cub broadcast team. I asked him where he went to college and he said, "Hard Knocks."

Thinking he said Knox College I said, "In Galesburg?"

He laughed and said, "No, the school of hard knocks."

I still didn't get it, then finally it dawned on me. "You didn't go to college!" I asked as if he had two heads. Nope, and lesson learned.

I must have done something right that night because Al Hall gave me his business card (the first one I ever received) and invited me out to the station. A couple of years later he gave me a letter of recommendation for college and a year after that recommended me for an internship at an NBC affiliate. Joe Cornejo invited me to the ballpark to watch a Cubs broadcast from the booth.

This one night of experience quickly went to the top of the work experience portion of my resume- pushing aside Soda Jerk, Paper Boy and Camp Counselor. Getting in the door was the first step, but knowing how to act professionally once there was the key. Had I been bored, inattentive, less curious or fallen asleep- all very real possibilities when working all night- I would have missed out on the chance that really helped define and shape my career.

The moral of the story is obvious (it's not become drinking buddies with Cesar Romero) take every opportunity you get and make the most of it when you can.

Lesson Learned.

PeterH

Tuesday, October 9, 2007

Plate Spinning

I am often asked about how I can juggle being a full-time teacher and a full-time filmmaker. Honestly, I don't give it much thought, it is just something I do and have done for a long time. Ten years ago I did all that and went to graduate school at the same time and not only survived, but was the better for it.

Multi-tasking is something I am hardwired to do. Much to my mom's displeasure (though I really think she likes getting my dad out of the house) my dad can't sit still. He is busier in "retirement" than when he worked.

To me the real key is collaboration. If you work with a bunch of trusted, good people then executing the work and time management is easy. And come on it is the film business after all. It's not as if I am juggling being a member of the bomb squad and a transplant surgeon.

Of course the main reason for doing this is that being an active filmmaker makes me a better teacher, and teaching makes me a better filmmaker. Besides, what else would I do?

PeterH

Sunday, October 7, 2007

The Office

I tell students often that the hardest part of being a filmmaker is getting the job. Once you get the job you just do what you have been training to do and the work should be easy. But that's not really true, the REAL hardest part of the job is dealing with the client.

Out favorite clients are the ones that say, "Jim, Peter we want you to go to London to shoot a couple of days and then take a day or two for yourselves." This actually has happened, and when it did, I immediately hit the phone and got us a reservation at The River Cafe- our favorite restaurant.

Unfortunately for the dumb filmmaker and his business partner this is a rare occurrence. More commonly we get a agency producer or client who likes to micro-manage. On more than one occasion- see my Cozmic Crunch post- we have had to handhold someone through the process and make a ton of changes only to come back to our original vision.

It is a paradox I never seem to get my head around. We've been hired because the client has seen our work and liked it, spoken with us, agreed to a budget, and then instead of letting us do that work they get all super hands on and controlling.

I don't get it.

When I go to a restaurant I do not barge into the kitchen and ask the chef why he is braising the osso bucco like that. I choose the dish and it is delivered to me. Then, if I have questions I ask. (A little more lemon zest perhaps, but I am finicky.) Yet, in this business you find this all too frequently.

I was recently telling a friend about a project and said we padded a budget because instinctively we knew the client was going to need managing. They will spend more money because we will have to spend time massaging the client, rather than being filmmakers. I think it goes both ways: if the client is a micro-manager then we will need to manage them more. You get what you pay for but please try to stay out of our kitchen. If you need more lemon zest, we'll deliver

PeterH

Friday, October 5, 2007

Let's Play Two!

With apologies to Ernie Banks, Jim and I played a doubleheader today.

At 7:00 this morning we shot one of our Teen Parents as she spoke to a group of high school students about the choices she made and how it has impacted her life. It is, I think, (Have I said this before?) the last scene we will shoot for this Teen Parent film and it was a nice finishing piece of the puzzle. This young woman comes full circle so to speak.


We wrapped that job at 8:30 and drove into the city to start the second gig. We have signed confidentiality and non-disclosure agreements so all I can say is that over the next month we and a team of cameramen are shooting locations all over Chicago. When it becomes public I can reveal more. I can add this: tomorrow we shoot across the city, ending at Wrigley Field as the Cubs/Arizona playoff game begins.

Between the two jobs we also made an equipment change. The Teen Parent film is shot in standard definition, the new job is on HD. The two experiences could not be more different- both in subject matter and technology and brain function for the dumb filmmaker.

Strange as it seems it is not the first time we have played two. A few years ago we were in Seattle shooting at Safeco Field (maybe it's a baseball stadium thing that ties two jobs together) when we got a phone call asking if we could shoot something at the offices of that really big coffee merchant based out of Seattle- again non-disclosure prevents me saying more, but there is a half-caf, dry, grande, latte in it for you if you can figure it out. Anyway, we wrapped at Safeco at lunch, ate and started job number two. It was a nice way to pocket travel and per diem and do our client a big favor and give them something they ordinarily would not have paid for.

Being double booked has its advantages, but it sure makes me tired. The dumb filmmaker can only keep so many plates spinning at once.

PeterH

Thursday, October 4, 2007

Reading Mary Beth

Today is my sister's birthday. And in lieu of giving her anything tangible for her birthday, (cheapskate, busy) I am going to post a piece I originally wrote for Book Magazine in 2002. In the magazine they gave us the last page and it was illustrated by a drawing of Mary Beth's and one of her journal entries which, as always, begins, "Toady, I..."

Happy Birthday Mary Beth. You are catching up to me.

PeterH

During the summer of 1972, while my mother was pregnant, my parents and I read The Casting Away of Mrs. Lecks and Mrs. Aleshine together. My father had read the book with his family thirty years earlier. Written in 1896 by Franck Stockton, it details the humorous adventures of two plainspoken, determined women who, along with their companion and narrator Mr. Craig, begin a trip from San Francisco to Japan with great expectations, only to become shipwrecked on a desert island. Ultimately their adventure turns into a better trip than the one they had intended to take.

That summer, we too had great hopes and expectations. I was nearly nine years old and convinced the kid would play second base next to my shortstop, turning the pivot on the Hawley to Hawley to Yastrzemski double play. My parents, teachers and great readers of mysteries, no doubt imagined a future doctor or lawyer or Ellery Queen. On October 4 my sister was born, and it soon became clear that she would not be any of those things. A doctor diagnosed her as retarded and suggested institutionalization.

As it turned out, Mary Beth was not institutionalized, but she would never become a doctor or lawyer or a second baseman, either. Still, like the rest of our family, she has always loved to read. She is about to turn thirty, and while not a strong reader, she is an avid one. She cozies up to the Sweet Valley Jr. High series and loves listening to the Harry Potter books on tape. And she relates to the Madeleine books because she, like Madeleine, was always dodging trouble.

Each summer when we were young, we would take our Pinto station wagon on road trips to and from Massachusetts. My sister and I would share the backseat. The trips were filled with lots of yelling and screaming, and one of my jobs was to keep my sister occupied. The best way to do it was by reading picture books to her. Curious George, Dr. Seuss -- anything with a rhyme and colorful pictures did the trick. When I was thirteen, my sister wandered off during a visit to the Baseball Hall of Fame. My dad, frantic, paid ten bucks for some kid’s bike and tore across Cooperstown, New York, looking for her. She reappeared an hour later, calmly holding hands with the person who found her. Years later in Paris with my parents, Mary Beth refused to leave until she saw the hospital where Madeleine had her appendix removed.

Last Thanksgiving we visited our parents in Florida. Mary Beth, as is her habit, brought three library books with her. She pitched a fit when she realized the books would be due before she returned home, and she didn’t want to pay the forty-five--cent fine. We gave her two quarters, but she wouldn’t budge. So the day after Thanksgiving, we all marched to the post office and mailed the books back to the library. It cost us $3.95, but she was happy that the books were returned on time.

Like the characters in The Casting Away of Mrs. Lecks and Mrs. Aleshine, my parents and I have adapted to our adventure, and while our journey has not been the one we expected to take, it has been, perhaps, better. We do not take for granted moments such as seeing Mary Beth race across the finish line at the Special Olympics, winning yet another gold medal, or the day she moved into her own apartment in Davenport, Iowa where she works for the Handicapped Development Center assisting physically disabled clients. And though I am an egghead college teacher, I think she might have a greater appreciation for the written word. She is the only one in the family who keeps a daily journal.

I have given up on the hope of playing for the Red Sox, and I know Mary Beth and I will never have deep conversations about Fagin or the Cheshire Cat, but that doesn’t stop me from trying to read her. The other day as she worked her way through another Sweet Valley Jr. High book, I sat wonderingwhere those words were taking her. So, I asked Mary Beth why she liked to read, and she looked at me and gave the same answer anybody would, "It’s fun," she said. "And I like the stories."