The Real Thing- Aaron Levy

I had breakfast the other day with a former student of mine named Aaron Levy.

Remember that name.

Aaron was in town from New York visiting his parents and he rang up his old teacher.

After getting his B.A. Aaron hung around Chicago. He logged film for a reality sports TV show, I hired him as a p.a. a few times- he was lousy as a p.a. it was just not his cup of tea (not mine either)- and he did a variety of add jobs like work in a lawyers' office. In all his spare time he would write. Of all my students in these near 13 years of teaching college Aaron is the one who sticks out as a writer. As a college student he was a mediocre filmmaker, but an excellent writer. More importantly he loves the act of writing perhaps more than anyone I know.

A few years after he graduated I prodded him into applying to graduate schools and he was accepted at NYU. Two years later he received a M.F.A. in playwriting. In the years since NYU he has been a struggling artist. He has had some opportunities and readings, took some more classes, got hired at an off-Broadway theater as a manager. In June had a one act play produced in Washington D.C. He's on the rise.

When Aaron walked into the restaurant early the other day he was a new man. Gone was the round, soft, relaxed former student. In walked a lean, 32 year old playwright- an artist, a person on a mission. I was taken not only by his physical transformation- he also quit smoking and began exercising- but his emotional transformation. Sitting before me was a creative person to be reckoned with. As we ate, Aaron told me about his new play. It's about race and youth and when he pitched it I got goose bumps. He asked if I want to read it. I said, "No, I'll wait to see it."

So you don't think I romanticize all of my former students, I left the restaurant and went to my second meeting of the morning (I get a lot done before 9am). This was with two former students- who I have previously hired- who have really good editing jobs, making nice money and doing really fine work. I like them a lot, respect them even more, but they are not artists of the same caliber.

If there is a consistent theme to this blog it is work hard, then work harder. It takes ten years to be an overnight success, just keep at it if it is something you want to do. So with apologies to Tom Stoppard keep your eye out for playwright Aaron Levy- the real thing.

PeterH

August take 2

In December I wrote about the terrific play Steppenwolf Theater Company play August:Osage County by Tracy Letts. I saw it last summer in its world premiere in Chicago. At Thanksgiving it moved to Broadway and a two months ago Tracy Letts won the Pulitzer Prize for drama. Tomorrow it is up for Tony Awards for Best play, two best actress and four other awards. It's terrific and I wish them all luck.

This is what I wrote in December.

All happy families are alike, Tolstoy told us, and each unhappy family is unhappy in its own way. But I’d bet the farm that no family has ever been as unhappy in as many ways — and to such sensationally entertaining effect — as the Westons of “August: Osage County,” the new play by Tracy Letts that blazed open last night at the Imperial Theater.

A fraught, densely plotted saga of an Oklahoma clan in a state of near-apocalyptic meltdown, “August” is probably the most exciting new American play Broadway has seen in years. Oh, forget probably: It is, flat-out, no asterisks and without qualifications, the most exciting new American play Broadway has seen in years. Fiercely funny and bitingly sad, this turbo-charged tragicomedy — which spans three acts and more than three blissful hours — doesn’t just jump-start the fall theater season, recently stalled when the stagehands went on strike. “August” throws it instantaneously into high gear.

You can read the rest of the review here. I am glad I got to see the show in Chicago.

http://theater2.nytimes.com/2007/12/05/theater/reviews/05august.html?ref=arts


PeterH

Don't Just Take My Word On It

I wrote the blog about August: Osage County, the Broadway play, last night about 10pm. I woke up this morning and opened my New York Times to see this glowing review by Charles Isherwood.

All happy families are alike, Tolstoy told us, and each unhappy family is unhappy in its own way. But I’d bet the farm that no family has ever been as unhappy in as many ways — and to such sensationally entertaining effect — as the Westons of “August: Osage County,” the new play by Tracy Letts that blazed open last night at the Imperial Theater.

A fraught, densely plotted saga of an Oklahoma clan in a state of near-apocalyptic meltdown, “August” is probably the most exciting new American play Broadway has seen in years. Oh, forget probably: It is, flat-out, no asterisks and without qualifications, the most exciting new American play Broadway has seen in years. Fiercely funny and bitingly sad, this turbo-charged tragicomedy — which spans three acts and more than three blissful hours — doesn’t just jump-start the fall theater season, recently stalled when the stagehands went on strike. “August” throws it instantaneously into high gear.

You can read the rest of the review here. I am glad I got to see the show in Chicago.

http://theater2.nytimes.com/2007/12/05/theater/reviews/05august.html?ref=arts


PeterH

One Strike Down One to Go

A few weeks ago I wrote about the writer's guild strike and how it is affecting people on all ends of the entertainment business pay scale. Until now I haven't mentioned the other big strike- the Broadway stagehand strike that recently was resolved.

There is an interesting piece in the current New Yorker about a woman who is a wig maker for both Phantom of the Opera and Saturday Night Live. She was forced out of a job because of both strikes and has resorted to cutting hair out of her Manhattan apartment bathroom. Since the stage hands have returned to work, I assume she has half of her income back, but it goes to show you how tough it can be for people who aren't rich and famous.

My connection to the Broadway strike is through my friend Sally Murphy (above) a member of Steppenwolf Theater and one of the stars of August: Osage County. The play had it's world premiere in Chicago at Steppenwolf this summer and made the move to Broadway only to get there in time for the strike. August is terrific. It's funny (often very) sad (often very), tragic. The three hours fly by and I hope New York audiences get to see it. A modern day Death of a Salesman, perhaps.

Anyway, I am glad the strike is over and the show is back so Sally and the rest of the cast can return to work. August: Osage County is a play that needs to be seen.

PeterH