Showing posts with label Peter Gabriel. Show all posts
Showing posts with label Peter Gabriel. Show all posts

Saturday, September 13, 2008

Peter Gabriel- Witness

When I met Peter Gabriel at the Womad Festival back in 2001 he rounded a corner wearing a loose windbreaker and was carrying a small video camera. We shook hands and the entire time he kept filming me. It was very disconcerting and more than a little odd. But it kept me honest- it is a true document of our first meeting.

After a moment I looked at the camera and then at him and said, "Do you have permission to do that?" He didn't laugh, but instead asked if I was going to stop him.

That was my introduction to Peter Gabriel.

In addition to all his great music, Gabriel is known for pushing the envelope of technology- both music and film. Look at those videos from 20+ years ago, they are amazing today. He is also known for being a human rights advocate. He has combined both of those passions to promote the idea that the camera tells the truth and can (and has been) be used to help prevent human rights violations.

He can say it much better than I can, so watch this 14 minute long presentation if you care at all about telling the truth.
http://www.ted.com/index.php/talks/peter_gabriel_fights_injustice_with_video.html

PeterH

Sunday, August 10, 2008

Isaac Hayes

I was all set to blog about Peter Gabriel when I learned about the death of Isaac Hayes. The Gabriel blog will come next, but in the interim a few words about Isaac Hayes.

For my TV show Rainbow Soup, I had the opportunity- and ironically it came less than an hour after meeting Peter Gabriel- to shoot an Isaac Hayes show from the pit of the 2001 Womad Festival outside of Seattle. His set started and the band vamped for what seemed like five minutes and then from the side of the stage Isaac walked out, dressed in camouflage, army boots and sunglasses. He shuffled across the stage with a huge smile snapping his fingers. The crowd went wild. It was a great moment.

He sat at his keyboard right in front of me and for 30 minutes played right to our camera. He was fantastic, the audience loved him, I did too, and then security came- even though I had permission- and shut me down. A moment later someone from Hayes' team crawled out to me and asked why we weren't shooting, when I explained he said, "Isaac wants you to shoot him, keep going!"

We fired back up and ten minutes later security came to kick me out. As we left the pit, Isaac looked down at me smiled and gave us a thumbs up. A moment later, between songs, using his "Chef" voice he complained about security being a little to harsh on some members of the press. The crowd cheered and I felt vindicated. After his set I hung backstage with him. He was just a nice man. Very funny, cool guy.

While he might be most known for his Oscar winning song- the theme from Shaft- I wanted to talk with him about his role on The Rockford Files back in the 1970s and his transformation into Chef- this was just before he left South Park.

I am writing this in the quick moments after learning about his death, more thoughts later perhaps. Isaac Hayes will be missed- as will Bernie Mac- a great Chicago talent and presence.


PeterH

Tuesday, September 4, 2007

Hard at Work

Labor Day got me thinking about hard work- something I try to avoid at all costs. Aren't p.a.s and t.a.s supposed to do the hard stuff while directors and "professors" do the "Big Picture" work?

One of those cliches (if I knew how to do one of those accent things over the e in cliche I would do it, so you grammar police leave me alone) every bad football coach likes to trot out is "Failing to prepare is preparing to fail." Yuck! As bad sports cliches go I much prefer "There is no 'I' in team,"but that is for another post.

But those bad coaches are on to something and I have seen first hand truly great performers bust their butts rehearsing when other mere mortals (or dumb filmmakers) would have been off doing something more fun. I am going to share a few of those stories here and you can infer what you want.

1) In 2001 I was making a TV show for kids called Rainbow Soup about art and world culture and got to observe a lot of different artists in their process. As part of this I had the chance to see and interview Peter Gabriel (pictured here) as he played his first concert in eight years. It was a rather sudden appearance- he was going to headline the Womad Festival in Seattle after Robert Plant had to back out. Originally Peter was going to place a simple acoustic set, but two days before the show he decided to go all out with a band. At 7am on a Sunday morning, twelve hours before he was to go on stage, there is Gabriel and band in a park in Seattle working their assess off rehearsing for the show. At 7 that night he walked on stage and 30,000 people went crazy. He proceeded to play, by his own admission, a very mediocre set. As part of our arrangement I spoke with him on camera just after he walked off stage. He shook his head and looked into the camera and said, "That's what you get when you only rehearse for two days." I'll never forget it, or him really working hard when he didn't have to. The crowd loved him anyway.

2) At the end of our commercial reel there is a spot for MVP.com where Michael Jordan looks into the camera and asks, "Any Questions?" Jim shot him at a Bulls practice, Michael was staying late, by himself shooting free throws. The six-time NBA champ and MVP was in the gym by himself practicing. Did he need to do that? He thought so.

3) Years ago I had to go on a location scout at a local Chicago nightclub. When the manager met us at the door and let us in and in there was loud music playing in the background. It sounded like Elvis Costello to me- he was in the middle of a three or four day stop in Chicago. We round the corner and there on stage was Elvis and the Attractions rehearsing. The manager of the venue asked me if I minded them rehearsing while we were there. What was I going to say, "No! Elvis give it a rest we need to talk here." Of course he could play, however I needed to get on the stage so Elvis stopped what he was doing and invited us up. He was very gentlemanly, asked us what we were about to shoot and if it was OK if he could continue his rehearsal. When I was finished with my work he paused and asked if everything was OK. I said sure and asked if I could watch for a while. He said yes, and proceeded to tear into Pump it Up. My question is this. In the thousands of shows Elvis has played since the mid 1970s how many times has he played Pump it Up? Thousands? Did they really need to rehearse that badly? I guess so.

Practice makes perfect. (Sorry for the cliche.)

PeterH