
A dynamic sound track is critical to making a successful film. I argue that good sound design is perhaps more important than good looking pictures. If you have ever seen a film that is "thin" when it comes to sound, you know what I mean. Of course the most obvious part of the sound track is the music and for us it is one stop shopping with Eric Sproull at Earhole Studios.
http://www.earholestudios.com/I have known Eric since college. He played keyboards on a music video I made (I have pictures of him dressed in all sorts of garish costumes that I threaten to give to his kids) and we have been friends since. On more then one (five?) occasion(s) he has given us just the right bit of music to create the mood. Once he gave us some temp music that the client liked so much, we kept it. Other times he has created demo after demo for us looking for the right sound. When not bailing us out he does high end commercial jingles- check out his reel on the Earhole website.
Here are some facts that don't make his professional bio.
1) About 15 years ago he decided to go to law school at night. He did, passed the bar and until recently worked one day a week at the public defender's office in Evanston, IL.
2) He and his wife have two kids of their own and a bevy of foster children and their relatives. At any given time he has at least six people and as many animals living in their house.
3) He is a committed parent and supporter of the Waldorf Schools.
http://www.awsna.org/4) A year ago he moved his family to Ann Arbor, MI. There he has a goats, horses and an in-ground swimming pool. He has created a small recording studio there and comes to Chicago three days a week.
PeterH